While everyday that passes can certainly be considered just another day in the books, there are particular events that you know, even as they are still unfolding, will remain the topic of conversation for years to come. The types of events that will likely make there way into textbooks. That our kids and grandkids will ask us about. That will be considered pivotal moments for our culture. The cliché phrase “we’re living through history” seems all too fitting for these trying times.

Is it an overstatement to say the rioting at Capitol Hill fits that category? Or even that much of the social strife experienced over the past year will be worthy of reflection for future generations? Events filled with opportunities to teach lessons or at least offer a snapshot of what life was like within the United States in the early 21st century?

While it’s always difficult to assess the significance of a particular event within such a short timeframe, this feels even more difficult to put into words. Was this the climax of a long-building crescendo? Or is this just another “bump” in the long road of turmoil within our nation?

How did we get here? Whose fault is this? Where do we go from here? And how could this have been avoided?

As to be expected, there are many who are quick to give answers or at least vent their frustrations. Who’s at fault? The President? His base? The party that never reeled him in? Fascists? White supremacists? The patriarchy? Fake News? The Swamp? The Deep State? It depends who you ask. But for so many in this country, still living through the fog of a tumultuous year, the answer is crystal clear. The problem is the other tribe and it has been for a long time.

What’s sad is that in almost every rant that makes its way onto social media, there are at the very least kernels of truth. There’s no shortage of reasons to cast blame on pretty much everyone mentioned previously, which is what makes this so messy. One can easily make the case, that just about everyone has contributed in some way to getting us to this point.

And so, as much as we may want to cast judgements on the events of the recent past, it may be helpful to remind ourselves that this isn’t an isolated incident that came out of nowhere. It may be even more helpful to view this event against the backdrop of larger undercurrents that have been forming within society over many years and decades. To take a step back and try looking at it from a 10,000-foot view.

As I so often do in many of these posts, I find movies and TV shows so incredibly helpful because they represent the stories we tell ourselves that both inform our culture and reflect where it currently stands. Often popular art can give us a glimpse into where we’ve been, where we are, and where we’re going. And I can think of no genre of movies and TV shows that reflects this evolution (or maybe better put “devolution”) more clearly than the super hero genre.

these aren’t your granddaddy’s super heroes

I’ll admit. I’m no comic book junkie. The extent of my comic book reading as a kid consisted of Calvin & Hobbes, Dilbert, and The Far Side. I never really dabbled in the super hero genre. It just wasn’t my thing.

My exposure to super heroes as an adolescent was largely relegated to an occasional viewing of the Batman animated series and the live action Batman and Robin movies. You know, the ones with the over-the-top “KAPOW” and “BANG” lettering intermixed with each and every fight scene. It was enough for me to ask for my own Batman utility belt. But that was about the peak of my interest.

But my love for the super hero genre, really began with the first Iron Man movie and the introduction of the Marvel Cinematic Universe (MCU). I know I’m not alone in feeling this. Marvel Studios has been producing many of the highest grossing movies of the past decade, (for good reason) and continues to pump them out at an increasing frequency, no doubt to capitalize on an opportune moment while popularity remains high.

Sure the visual effects and CGI has taken current films to a completely new level of production quality than the older films. But maybe one of the most notable changes has come with the with the characters themselves.

Unlike the typical superhero trope of the past, none of the super heroes within the MCU maintain their secret identity. Ever since Tony Stark revealed his identity as Iron Man in the first movie, almost none of the characters have maintained an alter ego. There is no stark division drawn between their public and private lives. And that means for the viewer, you are presented with all of the flaws and weaknesses of the heroes.

In the past, clear lines were drawn between good and evil without much of a character arc required within the individual. But in today’s movies, although there are certainly clear “good guys” and “bad guys”, the protagonists have flaws, and deeper context is given for why the antagonists became who they are. Changes that certainly make the movies all the more engaging and are worthy of note.

But where this genre really takes a turn is with one of it’s most recent adaptations. The Boys, a very popular TV show on Amazon Prime that just finished its second season, demonstrates this shift in culture by very clearly contrasting itself against the many super hero stories of the past. And boy oh boy (pun intended), is it a doozy.

The show was recommended by friends of ours. With an 8.7 rating on IMDB, many award nominations, and considered one of the most popular shows today, this show is certainly drawing a lot of attention. And as usual in our household, Morgan started watching without me. Go figure. But I just so happened to sit down in time to catch this scene from the fourth episode which gave me an introduction into what this show was all about and I was immediately intrigued by its message.

Disclaimer: There is swearing, blood/gore, and disturbing content in this clip. The show is rated for mature audiences. While there is no sexual content in this clip, please know for future reference the show itself does contain pretty gratuitous amounts of it in the remainder of the show. In short, I don’t recommend this for kids.

I’m not sure if this scene hits you as hard as it hits me, but I can’t help but feel my stomach turn when they lie to the passengers that everything would be okay and abandon them to their demise. This scene encapsulates in just a few minutes what this whole show is about.

Clearly Homelander is a parody of Superman. Queen Maeve, a parody of Wonder Woman. There are other super heroes that allude to Aquaman and to The Flash. This whole show takes the oh so familiar concept of a group of super heroes like the Justice League, and flips it on its head. What if those who are responsible for our protection aren’t just incompetent at times, but they’re actually malevolent?

If you watch the show, you will see that this twist doesn’t just occur with the super heroes. Nearly every institution in this show is untrustworthy. A Christian organization is led by a man that is sexually deviant in private after condemning it publicly. A big pharmaceutical company is led by completely dishonest leaders and misleads the public every step of the way. Politicians are corrupt. Cults take advantage of their followers for monetary gain. Many of the relationships depicted are absolute train wrecks. Innocent bystanders killed all the time in both domestic and foreign affairs. And the show makes barely veiled allusions to many of our cultures hot-button topics like white supremacy, the #MeToo Movement, and police brutality. It has it all!

This show is at its core a thought experiment. What if we took the super hero concept and made a dystopian version of it? That my friends in a nutshell is The Boys. A show that probably would not have received anywhere near this level of popularity in the past. A show that probably won’t stand the test of time. But a show that shows so saliently what so many are feeling today.

And what’s their proposed solution? “The Boys.” A group of nobodies who have been hurt in the past by these super heroes and who group together to take down them down through not only non-violent means, but also through violence. The solution is a grassroots resistance rebelling against the powers at hand. Does this sound familiar?

The Decay of social capital

It may not come as a surprise that public trust in government has been hovering around an all-time low for much of the recent past. The below chart from Pew Research shows just how precipitously we’ve declined in trust in public officials these past 60 years.

Then one could look at the status of marriages over the past century and the waning influence it has within our society. And with the reduced rate of marriages, we have seen related patterns in the increase of babies born out of wedlock, certainly a condition that does not afford stability to the children – a storyline I would note that one can also find within the plot of The Boys.

I’m sure one could easily find similar studies showing trends for diminished trust in the police, our neighbors, clergy, state and local officials, schools, etc. And similar levels of disconnection from other institutions like church, community groups, friends and family. Despite having the ability to connect more easily today with anyone around the globe, we are more disjointed and less trusting of those around us.

Is it any wonder why a show like The Boys would resonate with people today yet almost certainly be incredibly off-putting to generations past? Is it any wonder why so many on both the right and left are resisting and rebelling against who they perceive to be the perpetrators of these conditions? Is it any wonder that many feel that resorting to violence is the only way for them to feel heard?

Social capital is rarely mentioned measure of a culture’s health. Honestly I wasn’t familiar with the term until very recently, but it is quite obvious once you hear it. Social capital is the value of the relationships within a society that not only bind us together, but propel us to live admirably and function effectively. High trust within a society reduces the need for regulation. Moral behaviors that arise from constructive relationships reduce the need for law enforcement. Social capital provides increased levels of satisfaction, stability and predictability to our lives. And it affords opportunities for the most disenfranchised to be heard when those relationships are prioritized between all levels of the hierarchy.

When societies are functioning at their best, social capital is high. Sadly many of the previous attributes mentioned do not describe the experiences for many in our nation today. In many regards, that dystopian vision of The Boys is not too far off from what many perceive to be reality. So what can we do?

so how do we build social capital again?

One may say that maybe our trust in the government in the past was too high. That the very carefully crafted propaganda of our past that afforded such a unifying vision of our country’s leadership cannot occur in this modern era, nor would we want that. Can you imagine a current president being able to hide for years their limited mobility like FDR did in the past?

Like that aforementioned change made in the MCU movies, for better or for worse, we are presented with far more of the strengths and flaws of our leaders than at any time in the past. With cameras everywhere and an expectation that communication not just come from polished speeches but from half-baked tweets, we will get an up-close view of not just their public lives, but their private lives too. In fact, with the advent of social media, we’re confronted with the best and worst of many of our peers as well. To some degree we need to learn to live with the messiness of one another that is aired out for all to see in ways it hasn’t in the past, including our leaders (not to be mistaken as an excuse for these recent riots).

But there are many other changes that have been occurring within our society over the past several decades. Many seemingly small and innocuous decisions are made by all of us that over time accumulate. The decision to continue a marriage or end it. To get to know our neighbors better or ignore them. To attend church and invest time into the community or spend every leisure hour on ourselves. To be diligent at our work or let our quality slip when no one’s looking. To be dependable to our children, parents, and friends or look out for #1. To build social capital, or to let it decay.

We didn’t get here overnight. And we’re not getting out of it as quickly either. We don’t have to live within a dystopia. But in order to promote trust in our institutions again, the people who make up those institutions have to start generating more social capital again. And violence is never constructive.

Jesus said to his disciples in the hours leading up to his execution, “Put your sword back in its place, for all who draw the sword will die by the sword.” (Matthew 26:52)

Jesus found himself within the midst of a very harsh culture war and instead of resorting to violence he encouraged his disciples to seek a new way. The Boys glorifies violence as its solution to the problem of malevolent actors. Jesus proposed a different, albeit far more costly and difficult way to approach others, even our enemies.

To continue to invest in others, even when it’s at the cost of yourself. Those aren’t the type of heroes we glorify today. But those are the heroes we need to turn things around. Then, and only then, will we actually begin to see and feel indications of healing. And maybe, just maybe, we will look back at these recent events as the pivot point towards something better.

It’s up to us.

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